南方雪系列
何宇森 2019 ( 十片遺憾與八珠雪個展 現場 )
我著迷於液體材料包覆與浸濕的這份力量，這個過程寧靜且柔美，在不斷地包覆中，物體原所屬的形狀逐漸消失，留下模糊的輪廓。像是觀察大自然的雲朵，其中的圖像種類是無限的。
I am fascinated by the power of liquid materials to envelop and immerse. This process is tranquil and gentle, as the original shape of the object gradually disappears through continuous envelopment, leaving behind blurred contours. It is akin to observing clouds in nature, where the variety of imagery is infinite.
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在物質與物質的交接面上會有一條溝。 我希望縫隙可以消失，使用石膏與樹脂以不同形式包覆它們。
There is a groove at the interface between materials. I hope the gap can disappear, using plaster and resin to envelop them in different forms.
翻模是一種對表皮狀態的紀錄工法，當模子失去支撐時，它們軟趴趴，就像一張皮一樣。
在製作雕塑時不斷經歷這種狀態，我被它攤平後細微的紋理深深吸引，一種看清全貌但又模糊且陌生的感受。
Molding is a technique used to record the surface state. When the molds lose their support, they become soft and flaccid, just like a piece of skin.
In the process of creating sculptures, I constantly experience this state. I am deeply drawn to the subtle textures that emerge when it is flattened, providing a glimpse of the overall picture yet remaining blurred and unfamiliar.
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在把蝸牛人從平面塗鴉轉換成立體的過程中，要歷經綁芯棒、練土、堆土、塑形、分模、翻模、組合、打磨、上色等階段。
在堆土的過程中，我喜歡手使用不同壓力在泥土上所造成的痕跡，泥土冰冰涼涼的觸感，微弱的反彈力，記錄著每一刻觸碰的時間切片。
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蝸牛人 2013 - 2016
